Today’s musicians write, record, and perform with a variety of different electronic audio gadgets, and Roland’s CM-220 and CM-110 CUBE Monitors deliver a rare level of versatility to meet their sophisticated monitoring needs. These robust 2.1 systems sound great not only for home studio use, but also provide clean and loud amplification in practice and performance with a wide range of electronic instruments and music playback devices. The subwoofer/stereo satellite speaker configurations offer rich, full-range sound reproduction, with high-headroom circuitry that ensures tight and punchy performance with dynamic instruments such as V-Drums electronic percussion, synthesizers, and many others. In addition, convenient onboard mixing facilities allow for connecting multiple audio sources at once, including portable music players and digital devices.

In short, the CM-220 and CM-110 are perfect monitoring solutions for the modern musician, offering unique performance and flexibility not found in other systems. They’re compact and durable, easy to set up and use, and look great. Most importantly, their design and superb sound excels in a variety of common applications, including recording and mixing, rehearsals, live performances, family music rooms, audio for video, and more. Now, let’s take a closer look at these amazingly versatile systems.

Clean and Loud

The CM-220 and CM-110 each feature an active subwoofer that houses the amplification system for two passive satellite speakers, along with a host of flexible connectivity options for various types of devices. The CM-220 is a 200-watt system, with 100 watts of power for a 10-inch subwoofer and 50 watts each for two satellite speakers. The CM-110 is a 100-watt system, with 50 watts of power for a 6.5-inch subwoofer and 25 watts each for the satellite speakers. In both systems, the satellite speakers are two-way designs with 4-inch midrange drivers and ¾-inch tweeters.

The custom-made speakers and powerful integrated amplifiers in the CM systems provide high-quality, full-range sound for instruments and music playback. A built-in protection circuit guards against excessive signal levels from instruments that produce a wide dynamic range, like synths and electronic percussion. Typical desktop monitor systems simply can’t handle amplifying instruments like these at anything but low volume levels; the CM monitors deliver plenty of volume and clean headroom for expressive playing in practice situations and at intimate performance venues such as restaurants, coffee houses, and small nightclubs.

Each satellite can be mounted on a standard tripod speaker stand, such as the Roland ST-CMS1. Both the CM-220 and CM-110 come standard in black finishes, while the CM-110 is also available in a white finish option (CM-110-WH).

Onboard Mixing

The subwoofer in each CM system provides options for connecting and mixing a variety of different devices. The multiple stereo inputs include ¼-inch instrument jacks, RCA and 1/8-inch mini jacks, and a coaxial S/P DIF digital jack. A built-in three-channel mixer provides independent volume controls, global high and low EQ, and volume controls for master and subwoofer levels. In addition, balanced XLR/TRS combo jacks are provided for sound expansion; by connecting an external mixer, it’s easy to use a CM system as a PA for a full group. These jacks are also ideal for connecting pro-level devices such as external mic preamps and audio interfaces.

A phase-invert switch is provided for optimizing subwoofer performance, and there’s also an energy-saving Auto Power Off function that switches the system off after a period of inactivity. (This function can be disabled if desired.)

All-Around Performance

For today’s musicians, the lines between recording, practice, and performing environments have blurred; these used to be three very different spaces, but now they’re becoming integrated as one. A CM system fits perfectly into this new combined creative space in every way.

For recording and music mixing, the CM systems provide superb sound quality for making critical mixdown decisions, and the subwoofer offers excellent low-end extension for bass-rich modern music. With multiple input types, it’s easy to connect and monitor any sort of recording device, such as an audio interface like Roland’s OCTA-CAPTURE or a portable recorder like the R-26 or BOSS’ MICRO BR BR-80.

The CM monitors transition seamlessly into your music writing and rehearsal scene. For solo and group practice, the multiple connectivity options allow you to hook up your entire setup (as well as backing music playback), and the high-headroom, full-range amplification gives you a rich stereo monitoring environment to really enjoy playing and get a real feel for performing on stage. From keyboards to Loop Stations™ to guitar processors to electronic percussion, a CM system provides truly great sound reproduction for today’s sophisticated electronic instruments.

When you want to go play live, the CM systems can go there with you—they’re compact, easy to transport, and quick to set up. Built with the legendary construction standard that Roland’s CUBE series is known for, these systems can easily stand up to the rigors of any performing situation. The CM-110 works well for intimate performances with modest volume and sound coverage requirements, while the CM-220 is the better choice when you need to project a little more. In larger venues, either CM system works well as a full-range system for personal monitoring on stage.

The CM systems also work great for many other applications, including audio/video production setups and home theater audio, as well as compact sound reinforcement for business applications such as in-store audio playback and trade show displays.

Monitor Systems for Modern Music Making

As you can see, the versatile CM-220 and CM-110 CUBE Monitors are ideal for the demanding needs of today’s electronic musicians. Check out the following video to see them in action, and visit your Roland dealer to experience these amazing performers for yourself.