With this Patch collection, the characteristics of the V-Synth are apparent. 50 Patches that can be used in a wide variety of genres are prepared for you.

DOWNLOAD(Patch_Gene1.zip: 48KB)
DOWNLOAD(Patch_Gene1.sit: 44KB)

   
  Description
 
001
PREVIEWSpace Age (Synth)
A soft analog synth sound that uses COSM'S Dual-Filter. Experience the unique sound texture.
002
PREVIEWSoftalog (Synth)
A basic analog brass sound. It uses HQ-SAW And HQ-SQR so the sound is soft and it’s a great Patch to play.
003
PREVIEWTeknoise (Synth)
Electronic-like attacks are created by the COSM Compressor. You will notice where this Patch gets its name, when the arpeggiator is on, and when you play the D Beam and the TimeTrip Pad.
004
PREVIEWAnalog Keys (Synth)
A mild analog sound. An unique nuance is created by combining analog modeled wave with PCM wave.
005
PREVIEWFoghornz (Synth)
A "good-old-days" synth sound.
006
PREVIEWDualTriangle (Synth)
Analog TRI wave is fatter and softer compared with SAW wave. When 2 TRI Waves are combined, you get a fat sound like this one.
007
PREVIEWNoise Synth (Synth)
A strings-like synth sound created from a noise wave. Side Band Filter is applied to give "pitch" to the wave. Amount of noise can be controlled with the TimeTrip Pad.
008
PREVIEWStratoscope (Synth)
An unique feel is created by using the Dual-Filter. When the arpeggiator is on, it produces a beautiful line of notes.
009
PREVIEWJP8 Brass (Synth/Brass)
The name explains itself, a synth brass sound. But according to the original developer, it’s "a little different".
010
PREVIEWHumanoid (Synth/Vox)
You are able to transform a simple saw wave into a human voice-like sound, by passing the saw wave through COSM's dual filter. You can control the vowels, "a, e, i, o, u" by using the TimeTrip Pad.
011
PREVIEWNah Lead (Lead)
A beautiful synth lead sound created from a human voice sample. You can make the sound "cry" by using the Pitch Bend and Modulation Lever.
012
PREVIEWStr-Machine (Strings)
A conventional synth-string sound. This Patch is comfortable play with quick attacks. Try the slice effect assigned on the D Beam.
013
PREVIEW5thPulsation (Pad)
A synth-pad sound that uses analog wave. The LFO is sync'ed with the tempo and it can be adjusted to a desired speed.
014
PREVIEWAmnesiac (Pad)
A mysterious sound. Various sounds are moving in the background to create rich overtones.
015
PREVIEWDreamtime (Pad/FX)
By using the Formant Envelope, a voice-like feel is simulated. Touch the top part of the TimeTrip Pad for a screeching voice. Great for horror movies.
016
PREVIEWSBF Sync Pad (Pad)
By using the COSM's Side Band Filter, you can add tonal and timbral expressions to the sound, which is different from using oscillator sync.
017
PREVIEWAcoustic Pf (Piano)
An ordinary piano. But it changes into a chorus piano with the TimeTrip Pad. Scratch this piano with the D Beam.
018
PREVIEWBallad EP (Electric Piano)
A practical electric piano. Soft notes come out beautifully.
019
PREVIEWNot A Wurlie (Electric Piano)
By combining VariPhrase and analog sound, you get a comfortable playability from this warm electric piano.
020
PREVIEWVox+EP+Organ (Keyboards)
This Patch produces a different human voice sound for each note played from the keyboard. Various sound expressions are produced from Variphrase's unique function, the Step Mode.
021
PREVIEWSo Happy (Organ)
A conventional analog organ. With the TimeTrip Pad, you can control the organ timbre that is similar to operating a harmonic bar.
022
PREVIEWOrgone (Organ)
First it sounds like an ordinary organ, but the V-Synth gives it a little twist to it. Enjoy the tone and texture variations from the TimeTrip Pad.
023
PREVIEWWindy Nylon (Guitar)
A pad sound is subtly layered on top of a nylon guitar sound that has a realistic attack. This Patch works well with many scenes.
024
PREVIEWBoom Sq Bass (Bass)
A Powerful analog bass sound using Square Wave.
025
PREVIEWSmooth Bass (Bass)
This soft analog bass Patch combines two TVFs, and a sound with a floating feel is created.
026
PREVIEWLost Bassoon (Wood Winds)
The V-Synth is good at recreating the nuances of windwood instrument.
027
PREVIEWStacc Heaven (Bell)
This is a synth-pad layered with bells. The sound reminds us of the legendary Roland D-50. Because the VariPhrase is keeping the tempo of the bell's loop phrase, even if you change the pitch, the overall feel remains the same.
028
PREVIEWDark Corners (Chromatic Percussion)
It’s not a dark sound, but it’s definitely a fat mallet sound. Try turning the arpeggiator on.
029
PREVIEWEthnologie (Ethnic)
By combining two stringed instruments from two countries, shamisen from Japan and berimbau from Brazil, it became an ethnic sound that can not be categorized into any country.
030
PREVIEWFrozen Bells (FX)
A bell sound but when you turn the C1 nob, the original arpeggio loop wave starts appearing.
031
PREVIEWCybersurf (FX)
An unique resonance and dimension is created by the Side Band Filter with effects.
032
PREVIEWWaterland (FX/Pad)
A watery sound and a synth pad sound are combined to create this beautiful Patch. You can sink with the D Beam.
033
PREVIEWKaliopeKraze (FX)
This Patch was created by applying VariPhrase's Time Envelope to a very short flute wave. Only the V-Synth can take you this far.
034
PREVIEWWailin' Blue (FX)
With this Patch, enjoy numerous effects created by the D Beam and the TimeTrip Pad.
035
PREVIEWChurch Choir (Choir)
A soft, and basically a "fits anywhere" choir sound.
036
PREVIEWCastrato (Vox)
In this Patch, by using Variphrase technology, a male voice is modified into a neutral voice, somewhere in between male and female.
037
PREVIEWMondo Choo (Vox)
First it sounds strange, but when played rapidly you get the most out of this patch.
038
PREVIEWSliced Vox (Arpeggio/Vox)
The V-Synth's arpeggiator can also be used as a slicer. The original source is a human voice. A Patch that shows you what the V-Synth is capable of doing.
039
PREVIEWAutorun (Arpeggio/FX)
A fun and groovy arppegio Patch.
040
PREVIEWCOSMic ARP (Arpeggio)
An arpeggio Patch. Numerous variations can be enjoyed by how you hold the keys, and by the controllers such as the D Beam and TimeTrip Pad.
041
PREVIEWElfin Dance (Arpeggio)
As you can imagine from the Patch name, you get a soft sound that dances like a fairy. This Patch is created by combining PCM wave with analog wave.
042
PREVIEWMantra (Arpeggio)
Out of all the arpeggio sounds that use human-voices, the sound of this Patch is especially gentle and beautiful. By using V-Synth's physical controllers, you can enjoy various sound textures.
043
PREVIEWScrubber (Arpeggio/FX)
Once again, the V-Synth shows its arpeggio and physical controller capabilities. Many sound textures are created by using different combinations between the pitch from the keyboard, the D Beam, and the TimeTrip Pad.
044
PREVIEWBizarre Loop (Arpeggio/Beats)
An ambient-type rhythm loop. The effect from the D Beam is cool.
045
PREVIEWdrumnoiz (Beats)
The V-Synth mutates a familiar sound into something that is completely different. Download and hear for yourself what the original source is.
046
PREVIEWMetavoice (Beats)
Somewhere from the noise sound, a droning voice can be heard. In this strange Patch, frequency modulation is applied to the drum loop wave and the human voice wave.
047
PREVIEWBrisoop (Beats)
An aggressive rhythm loop. If you use the D Beam on the right place, you'll get an even more intense sound.
048
PREVIEWGroovMonkey1 (Combination)
Loop phrases are split between the keys, and its particularly fun when used with the D Beam.
049
PREVIEWBali on Vari (Combination)
This Patch splits the keyboard into 3 Zones, and an oriental taste is given. A "drag-feel" from the loop that is assigned on the left zone (lower part) of the keyboard, gives this Patch its unique atmosphere.
050
PREVIEWSBF Vocoder (External Input)
A V-Synth style vocoder Patch, that uses the Side Band Filter. Sound timbre and the depth of the delay can be controlled by the TimeTrip Pad.
*This Patch is for use with external input. Sounds will not be produced by only playing the keyboard. Please refer below for settings.
   
 
Procedures for external input Patches
Connect devices such as CD players to the Input Jack(s) on the rear panel.
   
Set the gain switch to LINE.
   
Set the input mode (Stereo or Mono) by first pressing MODE Button and then select SYSTEM. Next set the “External Input Type” of the IO to match the connected device. Finally, press WRITE.
   

Adjust the input volume on the front panel. An appropriate level is when the Peak Indicator blinks when the V-Synth receives maximum level from the sound source.

Instead of devices such as CD players, microphones can be used as well. When using microphones, set the gain switch to MIC on the rear panel.

   
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