V-Synth.com: Refill Patches

They're here! Using VariPhrase power to the extreme, these are Granular Synthesis Collection. They can be played by the keyboard and controllers, and they are great for electronica or ambient music. They are even perfect for adding electronic sounds to your band. Just by replacing these Patches with ordinary electric pianos or strings, your sound will become brand new. These are a must-try.

Patches with icon use additional waves which are new waveforms included in the download file. Roland owns the copyrights to the waveforms, and they can be utilized freely for your song composition.

(Patch_Granular1.zip: 96KB)
(Patch_Granular1.sit: 92KB)

Description

001	Meteor (FX/Noise/Ambient)
	The original sound source of the noise is a normal drum phrase. By editing and metamorphosing the phrase with VariPhrase, you will run into undiscovered sounds.
002	Trippin' EP (Piano/Keyboards)
	By using the same wave for both Oscillator 1 and 2, then reversing one of the Oscillators, you can create a completely different sound combination.
003	VrtualRealty (FX/Noise/Ambient)
	A sound from another dimension, perfect for Sci-fi movies. This sound comes from a combination between VariPhrase and COSM’s Side Band Filter.
004	Rich Strings (Pad/Strings)
	The bright orchestra sound is being stretched, and then mixed together with beautiful strings.
005	Acoustronic (Bass/Guitar)
	Believe it or not, the original wave is a guitar arpeggio. By controlling the Time with the LFO, it becomes a completely different sound.
006	Grain Chord (Bell/Mallet/Hit)
	V-Synth can freeze time. For this Patch, the V-Synth takes out a piece of a guitar arpeggio. By manipulating the TimeTrip Pad, you will hear the original arpeggio phrase.
007	Sita(r)bla (Ethnic)
	This Patch is created by using the powerful effect from COSM’s Side Band Filter. By controlling the TimeTrip Pad across the X-axis, the sound without the Side Band Filter effect can be heard. Experience the difference.
008	Noon (Melodic Sequence)
	This Patch is created by using VariPhrase’s Time Control. A percussive Patch with a mystic atmosphere.
009	Skewed Metal (Lead)
	By controlling the overtones with COSM’s Comb Filter, change the characteristic of the original sound. Change the playback speed with aftertouch and D Beam.
010	Dubvoice (FX/Noise/Ambient)
	The Time of the vocal phrase is over-edited to create this SFX sound.
011	Grainy Metal (FX/Noise/Ambient)
	Notice the coarse texture of this Patch which was created by taking out the Pitch variable with COSM’s Comb Filter.
012	Intruders (Synth)
	By over-lapping two Side Band Filters (COSM), a unique attack and twist is produced.
013	Drunken Orch (FX/Noise/Ambient)
	At first glance (listen), it’s a massive orchestra or it might be a pipe organ, but gradually the sound is dragged into chaos.
014	Warp Room (FX/Noise/Ambient)
	By using the same wave for both Oscillator 1 and 2, and then reversing one of the Oscillators, you can create a completely different sound combination.
015	Flare Star (Pad/Strings)
	A combination between a Time controlled phrase and COSM’s Side Band Filter. The sound texture of this pad sound gradually shifts.
016	Backstroke (FX/Noise/Ambient)
	The LFO controls the Time of this piano phrase to simulate a multi-layered sound similar to an orchestra.
017	Grange Voice (Lead)
	A wild distortion is applied to a vocal phrase. By playing the Time Trip Pad, the original vocal will start to appear.
018	Leisurely (FX/Noise/Ambient)
	From this stretched percussion phrase, a groaning effect that can’t be heard anywhere else is produced.
019	MetalRolling (FX/Noise/Ambient)
	By applying COSM’s Comb Filter to a reversed wave, you can add new overtones to the sound.
020	Innocent Key (Melodic Sequence)
	This Patch has a complex sound sequence, but at the same time, this Patch lets you perform on the keyboard.
021	Tablemount (Synth)
	The playback speed is controlled by the velocity from the keyboard. Play soft notes to slow down, or hard notes for drastic sound changes.
022	Gurge (FX/Noise/Ambient)
	A small difference in the LFO of the Oscillator Time and the LFO of COSM’s Dual Filter, creates an interesting sound like this.
023	FrostedGlass (Pad/Strings)
	This pad sound with a metallic and organ-like feel is created from Analog waveform, and also from the effect of COSM’s Side Band Filter.
024	Arcadia (Melodic Sequence)
	A combination between Analog waveform, and a kalimba phrase that reverses in the middle of the phrase. The growing and expansive feel is created by using MFX's Stereo Pitch Shifter, and also by tweaking the Pre Delay parameter of the same MFX.