The ver 1.51 update made V-Synth’s sound engine even more powerful. With these refill Patches, you can feel the power of the new V-Synth.

Check out especially the pad and string sounds that use the Sub-Oscillator. The Sub-Oscillator adds rich thickness and smoothness, plus it gives the high quality sounds more clarity. Other Patches include practical sounds like granular synthesis sounds that use human voice waves, and also others like bass sounds that use the new TB FILTER.

*In order to use these Patches, the V-Synth must be updated to ver 1.51. Please refer here for details on V-Synth ver 1.51 system update.

DOWNLOAD(Patch_VerUp1.zip: 24KB)
DOWNLOAD(Patch_VerUp1.sit: 24KB)

   
  Description
 
001
 PREVIEWSpangledGlss (Pad/Strings)
VariPhrase and Analog Oscillator, a combination only possible on the V-Synth, and now by adding the Sub-Oscillator, you get an impressive synth pad like this.
002
 PREVIEWm-pentatonic (Bell/Mallet/Hit)
With the Sub-Oscillator, layer four Oscillators with different pitches, and then a chord can be played with one finger. Also, to apply intricate flow to the sound, the LFO wriggles the pitch of the Sub-Oscillator independently.
003
 PREVIEWTB Acid Bs (Bass/Guitar)
A standard TB-303 bass sound created by using the TB FILTER and Distortion effect. Filter's Cut-off Frequency and Resonance is assigned to the TimeTrip Pad.
004
 PREVIEWVoice Chaos (Rhythmic Sequence)
COSM’s Side Band Filter is applied to a voice percussion phrase, and it electrocutes the sound. The playback speed of the wave can be controlled with the D Beam, and you can enjoy granular sounds near Time = 0.
005
 PREVIEWDaybreak (Arpeggio)
This sound with Ring Modulation cuts through. An arpeggio pattern is pre-assigned. The Filter's Cut-off is assigned to the X-axis of the TimeTrip Pad.
006
 PREVIEWAlien Steps (FX/Noise/Ambient)
A Patch with an ambient atmosphere. The Time of the rhythm loop is controlled by the LFO. Get various changes by using the controllers like the D Beam and TimeTrip Pad.
007
 PREVIEW3Saw MG Bs (Bass/Guitar)
A vintage analog bass that uses three Analog Saw Waves and the TB FILTER. Cut-off Frequency and Resonance is assigned to the TimeTrip Pad.
008
 PREVIEWSpace Walk (Rhythmic Sequence)
By combing Step Mode and Arpeggio to playback a rhythm phrase, you get a phrase that is completely different from the original.
009
 PREVIEWMaleDooPluck (VoX/Choir)
By controlling the Formant of a male voice, it becomes a synth-like sound.
010
 PREVIEWMajestic (Pad/Strings)
A massive and glamorous synth string sound. By using the Sub-Oscillator, four Analog Saw Waves are combined. You will notice where its Patch name comes from when you play the D Beam.
011
 PREVIEWDual TB (Bass/Guitar)
Something impossible even on the real TB-303. Two TB FILTERs are used for this indescribable TB bass sound.
012
 PREVIEWVapour (Pad/Strings)
Another V-Synth style Patch that combines PCM wave and Analog Oscillator. This one is a heavenly pad sound.
013
 PREVIEWMeditation (Melodic Sequence)
This Patch is based on a Drum Kit made from voice percussion, and they are split between 9 keyboard Zones. Abstract patterns are created by the arpeggiator.
014
 PREVIEWAsterism (Pad/Strings)
A combination between a fat Analog Oscillator and VariPhrase produces a unique glitter on the upper notes of this pad sound.
015
 PREVIEWSpacechild (VoX/Choir)
With VariPhrase, from just one short human voice wave, you can create a sound with various changes.
016
 PREVIEW4Saw Fat Bs (Bass/Guitar)
By using the Sub-Oscillator, four Analog Saw Waves are layered for this incredible bass sound. Cut-off Frequency and Resonance is assigned to the TimeTrip Pad.
017
 PREVIEWGroove Vox (Melodic Sequence)
A sound created by applying COSM's Side Band Filter to a voice percussion phrase. Trace circles on the TimeTrip Pad to fast-forward or rewind the phrase.
018
 PREVIEWBlissout (Pad/Strings)
Analog Wave and noise are mixed together. A standard synth string for trance music.
019

PREVIEWHarpin'Pad (Pad/Strings)

Take an ordinary synth wave, then edit it with VariPhrase, you get something like a plucking sound of a harp.
020
 PREVIEWRadical Bs (Bass/Guitar)
Frequency Modulation, Wave Shape, and Distortion - the ingredients to making a wild bass sound.
021
 PREVIEWVoxRhyCombo (Rhythmic Sequence)
Several voice percussion phrases are divided between different keyboard Zones, and the arpeggiator reconstructs a pattern. Get various rhythmic changes by playing different keys on the keyboard.
022
 PREVIEWNebulosity (Pad/Strings)
Analog Wave and VariPhrase are used for this Patch. Bell and pad are combined together. Even though the pitch can be changed with the Pitch Bend / Modulation Lever, the playback speed stays the same. Another Patch that uses VariPhrase skillfully.
023
 PREVIEWDoubleKickBs (Bass/Guitar)
Two TB FILTERs are combined to get the unique attack for this bass sound.
024
 PREVIEW4Sqr PWM (Synth)
Four Analog Square Waves with PWM (Pulse Width Modulation) are combined to produce this thick synth sound.
025
 PREVIEWMahanadi (FX/Noise/Ambient)
An ambient sound with an ethnic taste. Human voice and sitar are layered, and the arpeggiator constructs a pattern.
   
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